@OldscoolProject
używam Sylenth1,
"Raczej miks nie ma nic wspólnego z melodią, tylko z brzmieniem syntezatora, musisz pisać lepsze melodie"
Oldscool, masz oczywiście rację, pisać melodii więcej, ale na SampleMagic trafiłem na poradę MIX AS YOU WRITE:
"My own view is that if you aren’t mixing to a close-to-finished standard while you’re writing, you run a constant risk of losing track of the feel and all-important groove of a track."
"If you make even a minor tweak to the the attack envelope of a kick drum, for example, this will change the whole feel of the groove, necessitating not just changes in the compression (and often EQ) of the kick drum, but also potentially of other rhythmic sounds too."
Jeszcze jest tam porada o szablonach, oto ona:
"There’s nothing worse when you have a kick-ass creative idea than to be wasting time setting up mix environments and managing signal flow. A good template track helps solve that problem.
My template track for Ableton Live 9 has my favourite plugins pre-loaded and labelled, and audio/midi channels with the I/O armed and ready so I can use my hardware instruments right away.
Also, because plugins and loops tend to be quite loud, all my tracks are pre-set to -5dB. These simple things have boosted my productivity significantly; when an idea comes now I can just start working on it straightaway."
Brzmi całkiem nieźle i mogłoby bardzo przyśpieszyć pracę i tworzenie. Nie mam niestety bladego pojęcia jak taki szablon w FL Studio zapakować, macie jakiś tip może ?
Vene mógłbyś o tych submixach coś więcej napisać ?
używam Sylenth1,
"Raczej miks nie ma nic wspólnego z melodią, tylko z brzmieniem syntezatora, musisz pisać lepsze melodie"
Oldscool, masz oczywiście rację, pisać melodii więcej, ale na SampleMagic trafiłem na poradę MIX AS YOU WRITE:
"My own view is that if you aren’t mixing to a close-to-finished standard while you’re writing, you run a constant risk of losing track of the feel and all-important groove of a track."
"If you make even a minor tweak to the the attack envelope of a kick drum, for example, this will change the whole feel of the groove, necessitating not just changes in the compression (and often EQ) of the kick drum, but also potentially of other rhythmic sounds too."
Jeszcze jest tam porada o szablonach, oto ona:
"There’s nothing worse when you have a kick-ass creative idea than to be wasting time setting up mix environments and managing signal flow. A good template track helps solve that problem.
My template track for Ableton Live 9 has my favourite plugins pre-loaded and labelled, and audio/midi channels with the I/O armed and ready so I can use my hardware instruments right away.
Also, because plugins and loops tend to be quite loud, all my tracks are pre-set to -5dB. These simple things have boosted my productivity significantly; when an idea comes now I can just start working on it straightaway."
Brzmi całkiem nieźle i mogłoby bardzo przyśpieszyć pracę i tworzenie. Nie mam niestety bladego pojęcia jak taki szablon w FL Studio zapakować, macie jakiś tip może ?
Vene mógłbyś o tych submixach coś więcej napisać ?