Old, Dzięki za tutorial i analizę. Chyba masz rację, że bazą były sample.
Szczerze mówiąc trochę brakuje mi w dzisiejszych czasach takich przybrudzonych leadów z szumami kwantyzacji i 8-bitowym zniekształceniem. Wg mnie dawało to dodatkowego powera. Jak się używa samych wirtualnych syntezatorów to brzmi to jakoś tak zbyt sterylnie.
Twoja wersja też niczego sobie, chociaż jak dla mnie trochę przesadziłeś z modulacją częstotliwości
Sporo też można dowiedzieć się na wikipedii jakie techniki były używane we wczesnych samplerach
http://en.wikipedia.org/wiki/Orchestra_hit
"The Fairlight CMI synthesizer included a sampled orchestra hit voice, which was later included in many sample libraries.[11] The voice was given the name ORCH5, and was possibly the first famous orchestra hit sample.[19] The sound was a low-resolution, eight-bit digital sample from a recording of Stravinsky's Firebird Suite[7] – specifically, the chord that opens the "Infernal Dance" section, pitched down a minor sixth and at a reduced speed.[20] It was sampled by David Vorhaus.[20] Music magazine The Wire suggests that the prototype sample is owned by Vivian Kubrick.[21]
Early orchestra hits were short in duration (often less than a second) both due to the nature of the sound (a staccato note) and the restrictions on bit rates and depths. A compromise for longer durations would be lower bitrates, which would leave the sample with little timbre.[6]
Fairlight produced a number of orchestra hit samples, including a chord version (TRIAD), a percussion version (ORCHFZ1) and a looped version (ORCH2).[20] Samples ORCH4, ORCH5 and ORCH6 were located on the CMI's disk 8, within the STRINGS1 library.[22]"
Szczerze mówiąc trochę brakuje mi w dzisiejszych czasach takich przybrudzonych leadów z szumami kwantyzacji i 8-bitowym zniekształceniem. Wg mnie dawało to dodatkowego powera. Jak się używa samych wirtualnych syntezatorów to brzmi to jakoś tak zbyt sterylnie.
Twoja wersja też niczego sobie, chociaż jak dla mnie trochę przesadziłeś z modulacją częstotliwości
Sporo też można dowiedzieć się na wikipedii jakie techniki były używane we wczesnych samplerach
http://en.wikipedia.org/wiki/Orchestra_hit
"The Fairlight CMI synthesizer included a sampled orchestra hit voice, which was later included in many sample libraries.[11] The voice was given the name ORCH5, and was possibly the first famous orchestra hit sample.[19] The sound was a low-resolution, eight-bit digital sample from a recording of Stravinsky's Firebird Suite[7] – specifically, the chord that opens the "Infernal Dance" section, pitched down a minor sixth and at a reduced speed.[20] It was sampled by David Vorhaus.[20] Music magazine The Wire suggests that the prototype sample is owned by Vivian Kubrick.[21]
Early orchestra hits were short in duration (often less than a second) both due to the nature of the sound (a staccato note) and the restrictions on bit rates and depths. A compromise for longer durations would be lower bitrates, which would leave the sample with little timbre.[6]
Fairlight produced a number of orchestra hit samples, including a chord version (TRIAD), a percussion version (ORCHFZ1) and a looped version (ORCH2).[20] Samples ORCH4, ORCH5 and ORCH6 were located on the CMI's disk 8, within the STRINGS1 library.[22]"